s-Bojagi (2011)

Bojagi is a distinctive form of Korean textile art. It involves the creation of wrapping cloths by sewing together scraps of fabric, transforming them into versatile and functional wrappers. Historically, bojagi has been used for a variety of purposes, from wrapping gifts to storing household items, and embodies the principles of resourcefulness and artistic expression. This textile practice is also imbued with cultural significance, as each fold and knot carries symbolic meaning, and the wrapping techniques reflect both utility and aesthetic beauty.

The “S Bojagi” is a contemporary reinterpretation of this Korean tradition, merging heritage with technology. By integrating sensor technology and flexible circuitry, the Sonic Bojagi transforms the tactile and visual aspects of traditional bojagi into an interactive sound experience. This innovative piece captures, triggers, and reimagines the sonic landscape of Seoul, Korea’s vibrant capital.

Throughout a month-long creative residency, I explored Seoul's diverse soundscapes, collecting audio from various sources—from the rhythmic elegance of traditional dance performances to the dynamic energy of street pop culture. These sounds are embedded within the Sonic Bojagi and are activated when the cloth is manipulated. Depending on how the bojagi is wrapped, folded, or interacted with, the sounds are layered, mixed, and transformed, creating a unique auditory experience each time.

The performance presents the Sonic Bojagi as an evolving medium. Objects are wrapped using various bojagi techniques, each influencing the resulting soundscape in a distinct way.

This work was developed during a residency at the Nottle Theatre Company in Bucheon, South Korea, and represents a dialogue between traditional craftsmanship and contemporary technology